Big Eyes | Rotten Tomatoes (2025)

72% Tomatometer 197 Reviews 68% Popcornmeter 25,000+ Ratings

In the late 1950s and early '60s, artist Walter Keane (Christoph Waltz) achieves unbelievable fame and success with portraits of saucer-eyed waifs. However, no one realizes that his wife, Margaret (Amy Adams), is the real painter behind the brush. Although Margaret is horrified to learn that Walter is passing off her work as his own, she is too meek to protest too loudly. It isn't until the Keanes' marriage comes to an end and a lawsuit follows that the truth finally comes to light.

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Big Eyes

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Critics Consensus

Well-acted, thought-provoking, and a refreshing change of pace for Tim Burton, Big Eyes works both as a biopic and as a timelessly relevant piece of social commentary.

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Critics Reviews

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Big Eyes | Rotten Tomatoes (1) Andi Zeisler Bitch Media The stranger-than-fiction biopic Big Eyes is only the second of [Tim Burton's] non-animated pictures to have a woman at its center, and, perhaps not surprisingly, it's one of the richest portraits he's brought to the screen yet. Jan 22, 2021 Full Review Big Eyes | Rotten Tomatoes (2) Scott Marks San Diego Reader Burton had a chance to make a powerful statement on the struggle for a woman to achieve artistic recognition and instead settled for another childlike fairy tale. Rated: 0/5 May 23, 2016 Full Review Big Eyes | Rotten Tomatoes (3) David Stratton The Australian Burton is telling a fascinating story here, and his confident sense of time and place, allied to Adams's adept performance as the increasingly assertive artist, provide many pleasures. Rated: 3.5/5 Mar 27, 2015 Full Review Big Eyes | Rotten Tomatoes (4) Cory Woodroof For the Win (USA Today) It’d be great to see Burton work with Amy Adams again. Sep 5, 2024 Full Review Big Eyes | Rotten Tomatoes (5) Sean Axmaker Stream on Demand The film works thanks to Burton’s affection for both the art and the artist, Adams’ resilient performance, and a story that is too fascinating to be fiction. Aug 19, 2023 Full Review Big Eyes | Rotten Tomatoes (6) Keith Garlington Keith & the Movies Quirky bits a humor shake the tone up a bit and Burton does several things with his camera that hearkens back to some of his earlier films. Rated: 4/5 Aug 19, 2022 Full Review Read all reviews

Audience Reviews

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Twiggy H A decent film about justice prevailing. Great acting with a really nice film aesthetic. Does get frustrating at times but that simply shows the frustration of that situation, which is unpleasant even as an audience watching. I did glance over the review comments and have a pointers to what i read:- About the Margaret character 'going along with the scam for so many years' - it is very clearly laid out throughout that film how manipulative and controlling her husband was being, and that her own characteristics were not of someone who knew how to deal with that. Remember, she was a single mother who enjoyed painting who was also trying to make a decent living from her talent. - Not 'everyone wants to be an artist' the story simply has a character who was NEVER an artist but trying to fob his way into an industry with little to no talent of his own. That written, it barely touches the surface of the sheer frustration and disappointment some artists have in the art industry. Would be interesting to see films of this sort exposing 'bigger' names. Rated 4/5 Stars • Rated 4 out of 5 stars 09/27/24 Full Review Joshua m The best actors in hollywood doing their magic here in a hard to believe but true period piece biopic. Rated 4.5/5 Stars • Rated 4.5 out of 5 stars 06/26/24 Full Review Audience Member The first half of the movie was interesting and professionally done. Something happened midway through that turned it into an after school special, including the taking 3 amazing talents and turning them into barely mediocre performances. Amy Adams, Christoph Waltz and Tim Burton are deserved titans of acting and directing. I’ve never watched either Amy or Christoph and felt like they were acting. Waltz has always teetered on the absurd, typically landing it perfectly. But he became a caricature of himself. Amy was better, but not by much. I have to say that all of this falls on Burton and / or the editor. The story line has so much potential and I found it hard to get through it. Rated 0.5/5 Stars • Rated 0.5 out of 5 stars 05/09/24 Full Review Jeff M A disappointment from director Tim Burton, though not as bad as ALICE IN WONDERLAND, this drama tells the true story of artist Margaret Keane, whose husband Walter took credit for her famous paintings of children with big eyes, until a court case finally proved her as the true creator. This is a very frustrating film, as it doesn't convince us why Margaret went along with the scam for so many years - she almost comes across as a Stepford Wives-like zombie. Supporting characters are not well developed, Amy Adams as Margaret is fine but Christoph Waltz as Walter is way over the top. Some good moments but not an overall success. Rated 2.5/5 Stars • Rated 2.5 out of 5 stars 02/11/24 Full Review Alec B Adams and Waltz are obviously quite good, but the film runs out of steam despite their best efforts. Whenever biopics of this kind move into the inevitable courtroom drama portion of their narrative, I just find it tedious. Rated 2.5/5 Stars • Rated 2.5 out of 5 stars 12/13/23 Full Review Simon T The strange story of Margaret Keane, whose idiosyncratic paintings are falsely credited to her husband Walter, until a court case reveals the truth. The art itself remains hugely divisive - I'm in the 'yuk' camp - which explains Tim Burton's interest. Amy Adams has the difficult job of internalising her fury allowing Christoph Waltz as her manipulative husband to dominate most scenes. It's a very straightforward story, and - while I'm a great admirer of Waltz - I think he's miscast, simply because from the beginning you mistrust him. Rated 3.5/5 Stars • Rated 3.5 out of 5 stars 11/16/23 Full Review Read all reviews

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Cast & Crew

Tim Burton Director Amy Adams Margaret Keane Christoph Waltz Walter Keane Danny Huston Dick Nolan Krysten Ritter Dee Ann Jason Schwartzman Ruben
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Synopsis In the late 1950s and early '60s, artist Walter Keane (Christoph Waltz) achieves unbelievable fame and success with portraits of saucer-eyed waifs. However, no one realizes that his wife, Margaret (Amy Adams), is the real painter behind the brush. Although Margaret is horrified to learn that Walter is passing off her work as his own, she is too meek to protest too loudly. It isn't until the Keanes' marriage comes to an end and a lawsuit follows that the truth finally comes to light.

Director
Tim Burton

Producer
Tim Burton, Lynette Howell Taylor, Scott Alexander, Larry Karaszewski

Screenwriter
Scott Alexander, Larry Karaszewski

Distributor
Weinstein Co.

Production Co
Tim Burton, Electric City Entertainment

Rating
PG-13 (Thematic Elements|Brief Strong Language)

Genre
Biography, Drama

Original Language
English

Release Date (Theaters)
Dec 25, 2014, Limited

Release Date (Streaming)
Oct 25, 2016

Box Office (Gross USA)
$14.5M

Runtime
1h 46m
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Big Eyes | Rotten Tomatoes (2025)

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